Human Rights and Eastern Orthodox Understanding and Teachings for a Troubled World

A discourse of human rights applies to the relations between individuals and relations between them and the state. However, from an Eastern Orthodox perspective, Biblical law diverges, and applies to even the responsibilities of entities towards themselves and their responsibilities towards God the Creator. There is a seemingly increasing declaration that human rights standards are being kept, but it is also apparent that the issue has been wavering globally for numerous years. It is clear that the COVID-19 pandemic has accelerated the destruction of the democratic fabric of the social order on which the defence of human rights is finally contingent. The question this article seeks to answer is what is the understanding of the Eastern Orthodox faith when it comes to human rights issues and what is the Church in general doing to assist in mitigating these? What is the relationship between Orthodoxy and human rights and what part does it play in the advancement of human rights? How can Orthodox teachings contribute to the protection of the dignity of the individual? The concept of ethics and human rights are positive formulations, the two seen as quality features of the Universal Creator, with ethics being the relevant catalyst to human rights and relations. Human rights are therefore expected to shape the living of man as ethics motivates human performance. © 2021. All Rights Reserved.

The empty couch: Love and mourning in times of confinement.

This paper describes the psychoanalytic treatment of a woman patient during the first six months of the COVID-19 pandemic, when the setting was profoundly disrupted and was transferred from in-person psychoanalysis to telephone sessions. Drawing on Bleger's formulations on the construction of the analytic frame and on André Green's on the function of the framing structure in the construction and elaboration of phantasy life, the case study shows how, in the absence of the physicality of the setting, the most primitive anxieties about the symbiotic relationship with the mother were expressed and contained in the transference and countertransference in the analysis. The author offers some considerations about the notion of "background of the uncanny", derived from Yolanda Gampel, which draws attention to the challenges when both patient and analyst are inserted into the same traumatic wider context. It is suggested that the production of an art object by the patient during this period represents a step in the elaboration of the work of mourning and towards symbolization.